본문 바로가기
문화방

Sculpture - 조각

by 이덕휴-dhleepaul 2022. 8. 29.

조각은 실용용품이 아니라 예술 특히 공간(길이, 넗이 그리고 깊이)예술품을 말합니다.

조각작품이라는 말로써 그 의미를 부여합니다. 너무 큰 것(건축물 등)작품,  조각은 조형예술의 작은 일부분이지만 조각예술이라고 해야 한다.

재료도 여러가지를 사용합니다. 번역을 하지 않고 걍 원어로 읽어봅니다.

For other uses, see Sculpture (disambiguation).
"Sculpting" and "Sculptor" redirect here. For sculpting in computer graphics, see Digital sculpting. For other uses, see Sculptor (disambiguation).

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

The Dying Gaul, or The Capitoline Gaul[1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE Capitoline Museums, Rome
Assyrian lamassu gate guardian from Khorsabad, circa 800–721 BCE
Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II
Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay

Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.[2]

Sculpture has been central in religious devotion in many cultures, and until recent centuries large sculptures, too expensive for private individuals to create, were usually an expression of religion or politics. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, as well as many in Central and South America and Africa.

The Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith. The revival of classical models in the Renaissance produced famous sculptures such as Michelangelo's statue of David. Modernist sculpture moved away from traditional processes and the emphasis on the depiction of the human body, with the making of constructed sculpture, and the presentation of found objects as finished art works.

Contents

Types

 

 

 

 

 

 

Inhabited Sculpture

 

Purposes and subjects

 

 

 

 

 

 

 

 

 

 

Materials and techniques

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Social status of sculptors

 

 

 

Anti-sculpture movements

 

History

 

 

 

 

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

  •  

     

  •  

     

  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 
 

 

 

 

  •  
     
  •  
     
  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

 

 

 

 

 

 

  •  

     

  •  

     

  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

 
 

 

 

  •  

     

  •  

     

  •  

     

 
 

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

 
 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 
 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 
 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  
     

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  
     
  •  
     
  •  

     

  •  

     

  •  

     

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

 

  •  

     

  •  
     
  •  

     

  •  

     

  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  
     
  •  
     
  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

Moving toward modern art

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

 

Modernism

 
 

 

 
 

 

 

 

 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 
 

 

 

 

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

  •  

     

 

 

 

Conservation

 

 

 

Form

 

  •  
  •  
  •  

 

  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  

 

  •  
  •  
  •  
  •  

    •  
  •  

See also

  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  

Notes

  1.  
  2.  
  3.  
  4.  
  5.  
  6.  
  7.  
  8.  
  9.  
  10.  
  11.  
  12.  
  13.  
  14.  
  15.  
  16.  
  17.  
  18.  
  19.  
  20.  
  21.  
  22.  
  23.  
  24.  
  25.  
  26.  
  27.  
  28.  
  29.  
  30.  
  31.  
  32.  
  33.  
  34.  
  35.  
  36.  
  37.  
  38.  
  39.  
  40.  
  41.  
  42.  
  43.  
  44.  
  45.  
  46.  
  47.  
  48.  
  49.  
  50.  
  51.  
  52.  
  53.  
  54.  
  55.  
  56.  
  57.  
  58.  
  59.  
  60.  
  61.  
  62.  
  63.  
  64.  
  65.  
  66.  
  67.  
  68.  
  69.  
  70.  
  71.  
  72.  
  73.  
  74.  
  75.  
  76.  
  77.  
  78.  
  79.  
  80.  
  81.  
  82.  
  83.  
  84.  
  85.  
  86.  
  87.  
  88.  
  89.  
  90.  
  91.  
  92.  
  93.  
  94.  
  95.  
  96.  
  97.  
  98.  
  99.  
  100.  
  101.  
  102.  
  103.  
  104.  
  105.  
  106.  
  107.  
  108.  
  109.  
  110.  
  111.  
  112.  
  113.  
  114.  
  115.  
  116.  
  117.  
  118.  
  119.  
  120.  
  121.  
  122.  
  123.  
  124.  
  125.  
  126.  
  127.  
  128.  
  129.  
  130.  
  131.  
  132.  
  133.  
  134.  
  135.  
  136.  
  137.  
  138.  
  139.  
  140.  
  141.  

References

  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  

External links

 
 
 
 
 
 
  •  
  •  
  •  
  •  
  •  

 

RELATED ARTICLES

'문화방' 카테고리의 다른 글

artefact philosophy  (1) 2022.08.29
Artmuseums Harvard  (0) 2022.08.29
historyfile  (0) 2022.08.27
대영박물관 -The British Museum  (0) 2022.08.27
잊혀진 시대의 화석  (0) 2022.08.26